Dual plane tiltshift lens12/30/2023 If you were trying to take a picture of a building (especially when you are close to it) you would, of course, angle the camera upwards. The relation between the lens image plane and the camera sensor plane That is way tilt and shift lens is an essential gear of an architectural photographer. It also keeps everything squared, eliminating the convergence of vertical lines, a phenomenon known as “ keystoning” that occurs when photographing tall buildings. ![]() The Shift movement allows you to adjust a subject’s place in a composition without needing to move the camera itself. Another thing tilt can do is making the miniature-faking possible, creating the illusion of super-shallow depth of field. Tilt determines the plane of focus by allowing you to point the lens at an angle other than perpendicular to the image plane, (As a normal lens do it only focus on a singular and perpendicular plan) With tilt, the focal plane becomes pliable, it becomes possible to capture an image entirely in focus (background and foreground), as well as narrow the focal plane and make it surrounded by soft blur. The tilt-shift lens can do amazing things to control the perspective. The tilt and shift lens has two main advantages over other lenses: The third movement is the rotation of the lens, this allows you to shift and tilt the lens not only vertically or horizontally, but at any plan. The second movement is the tilt, where the lens moves around a pivot to make an angle with its original axis The first one is the shift movement, where the lens moves parallel to its original axis as the following figure: Tilt-Shift Lens has three types of Movements. This is possible by additional design features that allow the lens to physically tilt, shift, and rotate. My editing workflow consists of Lightroom and Photoshop.A tilt-shift or perspective-control lens is a specialized lens that has the ability to moderately rotate the image focal plane with a pitch or yaw, as well as skew the image perspective. Glen Park to City Hall at sunset.įor those interested, all of the shots were shot on the following gear: Canon 5D Mark III, Canon 17mm f/4 TS-E, Canon 90mm f/2.8 TS-E, 1.4x Extender III, Gitzo 1514T tripod, Markins Q3T ballhead, Yongnuo 560EX II Speedlite/RF603 triggers. Iconic Queen Anne Victorians to minimalist/modern rebuilds, each property offers a unique perspective within its position in the Bay. Becoming more condensed by the day, I am fortunate to have access to some unique homes and locations in and around San Francisco. I started this project as a way to test the full capabilities of my lenses and it has become a personal four year chronicling of the Bay Area with its spirit in mind. Sometimes I would deliver the image to the client, most of the time I end up archiving, and on occasion I post something that catches my attention, some of which I have posted as a grouping here. Several hundred properties per year, a need for a break in the monotony, and the realization that my lenses were only being half used, I began shooting at least one frame using the tilt function of the lenses at almost every property that I booked. For a more detailed explanation of the Scheimpflug principle, check out the Wikipedia article. ![]() Rotate or “tilt” the paper in any direction, and that, in concept, will be the plane in sharp focus in your photo, different from a standard camera lens which fixes the plane of focus or “piece of paper” always parallel to the photographer. Using the “tilt” feature of the TS-E gives the photographer control over the plane of focus angle.Īn easy way to visualize this can be achieved by holding a piece of paper out in front of you and imagining that it is the angle of the camera’s sensor. I love the amount of flexibility the TS-E lenses give me, but I was not using the tilt function at all when I first started using these lenses. These small reductions in workflow time add up to larger gains in aggregate. Boom, one frame, no need to spend time stitching multiple photos in post-processing. The shift function of a TS-E lens gives me control of camera perspective during a real estate shoot which just can’t be done during post-processing in certain situations, and I use the shift function of the TS-E lenses to some degree on 90% of my interior/exterior shots.įor example, I can set up a camera on a tripod at eye level in order to see over a countertop and then down “shift” the lens in order to still capture the flooring in the frame. There’s a point to all this: expediting workflow also gave me a solid reason to pick up a couple of tilt-shift (TS-E) lenses. So in order to maximize my return and also meet my clients’, sometimes same day, marketing schedules’, I focused on minimizing my workflow, getting my shots done in camera as much as possible, and “quick and dirty editing”. My typical client wants wide and bright photos, with an emphasis on quick turn around time.
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